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As a set and costume designer, she has designed many shows at the National Theatre (most recently Behind the Beautiful Forevers, Dara and London Road), Royal Shakespeare Company, Chichester Festival Theatre and the Young Vic amongst others. She has also designed costumes for many operas including Terry Gilliam’s productions of Damnation of Faust and Benvenuto Cellini for the ENO, which have been performed around the world. She designed costumes for Lyndsey Turner’s production of Hamlet at the Barbican with Benedict Cumberbatch in the title role. Katrina Lindsay’s recent costume design credits include Bend It Like Beckham at the Phoenix Theatre (Olivier nomination for Best Costume Design), wonder.land for MIF and the National Theatre and American Psycho for the Almeida Theatre and Broadway (Outer Critics Circle and Drama Desk nominations for Best Costume Design).
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His film credits include How to Train Your Dragon 2 for Dreamworks and Freak Show for Maven Pictures. Hoggett was a founding co-artistic director of Frantic Assembly for which his credits include The Curious Incident of the Dog in the Night-Time, Lovesong, Othello, Little Dogs, Beautiful Burnout, Stockholm, Pool (No Water) and Dirty Wonderland. With Scott Graham, Steven co-wrote The Frantic Assembly Book of Devising Theatre (Routledge). Steven has provided choreography for music videos for artists including Imogen Heap, Bright Light, Bright Light, Goldfrapp and Calvin Harris. Dee for the Manchester International Festival and Rigoletto for the Metropolitan Opera. Other recent credits include A merican Idiot, Peter and the Starcatcher, The Last Ship, Rocky the Musical and The Crucible on Broadway St Joan at The Public Close to You at NYTW and the Criterion The Light Princess for the National Theatre Dr. and on Broadway, and Once on Broadway and in the West End. Steven Hoggett has previously collaborated with John Tiffany on The Twits for the Royal Court, Let The Right One In and Black Watch for the National Theatre of Scotland, The Glass Menagerie at A.R.T. For his work on Harry Potter And The Cursed Child, John received the Olivier Award for Best Director, one of a record-breaking nine Oliviers received by the production.
Tiffany was Associate Director of the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow at Harvard University in the 2010-2011 academic year. His other work for the National Theatre of Scotland includes Macbeth (also Broadway), Enquirer, The Missing, Peter Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, The Bacchae, Black Watch, for which he won the Olivier and Critics’ Circle Best Director Awards, Elizabeth Gordon Quinn and Home: Glasgow. Other recent credits include The Glass Menagerie at A.R.T, on Broadway, EIF and in the West End, and The Ambassador at BAM. He was the director of Let The Right One In for the National Theatre of Scotland, which transferred to the Royal Court, West End and St. John Tiffany directed Once for which he was the recipient of multiple awards both in the West End and on Broadway. As Associate Director of the Royal Court, his work includes Road, The Twits, Hope and The Pass.
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For television, his credits include National Treasure, The Last Panthers, Don’t Take My Baby, This Is England, The Fades, Glue and Cast-Offs. In 2017 he won a BAFTA and an RTS Television award for Best Mini-Series ( National Treasure). He won 2016 BAFTAs for Best Mini-Series ( This Is England ’90) and Best Single Drama ( Don’t Take My Baby), and in 2012 won Best Series ( The Fades) and Best Serial ( This Is England ’88). This Christmas, his adaptation of A Christmas Carol will open at the Old Vic Theatre. On film, his credits include War Book, A Long Way Down and The Scouting Book for Boys. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide. His theatre credits include Hope and Let The Right One In, both directed by John Tiffany, Woyzeck at the Old Vic, Junkyard, a Headlong, Rose Theatre Kingston, Bristol Old Vic and Theatr Clwyd co-production, The Solid Life of Sugarwater for the Graeae Theatre Company and the National Theatre, Bunny for the Edinburgh Fringe Festival, Stacy for the Trafalgar Studios, 2nd May 1997 and When You Cure Me for the Bush. Jack Thorne is a Tony ®, Olivier and BAFTA Award winner who writes for theatre, film, television and radio.
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